The Secrets of Divine Sound

The Secrets of Divine Sound


The Atharvasikha Upanishad, one of the 31 minor Upanishadic texts associated with the Atharva Veda, is classified as one of the Shaiva Upanishads. The exact origins and dating of this Upanishad are uncertain but it is believed to have been composed between 800-200 BC. The Upanishad emerged during this period, offering profound insights into the nature of divine sound and its role in the pursuit of spiritual knowledge.  This Upanishad explores the essence of sound, the nature of the self (atman), and the path to ultimate liberation (moksha). It attempts to answer such questions as how to meditate, what to meditate and on whom meditate, with specific emphasis on the syllable AUM, its meaning and significance. It is presented in two sections, with section one dealing with what is meant by Om and the significance of its syllables and section two dealing with the benefits one derives by meditating coupled with reciting the word Om representing the four Vedas.

The text delves into the profound wisdom of divine sound (shabda) and its significance in the pursuit of spiritual knowledge and self-realization. Its teachings are rooted in the exploration of the transformative power of divine sound and its connection to spiritual liberation. It views sound as a manifestation of the ultimate reality (Brahman) and a key to self-realization. It emphasizes the importance of spiritual knowledge (vidya) as the means to attain liberation (moksha). It urges seekers to inquire into the nature of reality and seek the guidance of enlightened teachers (gurus). The Upanishad extols the practice of meditation on divine sound (shabda-dhyana) as a potent tool for calming the mind, gaining self-awareness, and experiencing unity with the ultimate reality. It reveals the transformative potential of divine sound in liberating the soul from the cycle of birth and death, leading to ultimate freedom (moksha).

The teachings of this Upanishad continue to hold enduring significance in Hindu religious and spiritual traditions. Its exploration of the transformative power of sound and its connection to spiritual liberation has influenced the understanding of meditation and self-realization. It stands as a timeless exploration of the profound wisdom of divine sound and its connection to spiritual knowledge and self-realization. Through its teachings on the nature of sound, the pursuit of spiritual knowledge, and the transformative power of meditation, it offers seekers profound insights into the enduring significance of divine sound in the pursuit of spiritual awakening.

Comments

Post a Comment

Golwalkar Mission of Hindu Rashtra

Matadin Bhangi: A Dalit hero of 1857 Revolt

Image
  Matadin Bhangi was one of the Dalit heroes of 1857 Revolt who is seen as the one to have inspired the 1857 War of Independence and not Mangal Pandey that the elite history claims. The narrative for Matadin Bhangi published by D C Dinkar in “Swatantra Sangram Mein Achhuton Ka Yogdan” (1990) is given in the following words:  "There was a factory in Barrackpore where cartridges were manufactured. Many of the workers of this factory belonged to the untouchable communities. One day one of the workers felt thirsty. He asked a soldier for a mug of water. That soldier was Mangal Pandey. Mangal Pandey, a Brahmin, refused him water because the worker was an untouchable. This was very humiliating for the worker. He retaliated to the Brahmin soldier saying, “ Bara awa hai Brahaman ka beta. Jin kartuson ka tum upayog karat ho, unpar gaaye or suar ki charbi lagawal jaat hai, jinhe tum apan daatun se torkar banduk mein bharat ho. O samay tomhar jati aur dharam kahan jawat. Dhikkar tumhare is b
Read more

The Tara Sara Upanishad (The Supreme Goddess and Her Cosmic Essence)

Image
  The Tara Sara Upanishad  (The Supreme Goddess and Her Cosmic Essence) That which is Om is the indestructible, the supreme, and the Brahman. That alone should be worshipped. It is this that is of the eight subtle syllables. The Tara Sara Upanishad is classified as one of 14 Vaishnava Upanishads attached to the Shukla Yajurveda. This Upanishad delves into the worship, symbolism, and spiritual significance of Goddess Tara Sara, guiding seekers on the path of spiritual awakening and liberation. Rooted in the ancient Vedic tradition, this Upanishad continues to hold enduring significance as it unveils the divine mysteries of the cosmic feminine principle. Goddess Tara Sara is revered as the Supreme Goddess, transcending the dualities of existence and representing the ultimate reality. The origins of this Upanishad can be traced back to the ancient Vedic period which dates back to approximately 1500-500 BC. The text is notable for its discussion of Om for yogic meditation as Taraka or that
Read more